Solitude
Joshua Shaw (American, born England, c. 1777–1860)
1818
View the original$13
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
Joshua Shaw was one of the earliest landscape painters to work in America, practicing in Baltimore and Philadelphia upon emigrating from England in 1817. Shaw excelled at painting Romantic scenes of imaginary Arcadian landscapes. In Solitude, a male figure reclines in the foreground, with the contemplative pose and seminude state of a poet or philosopher inspired by the beauty of nature. In addition to idealized compositions such as this one, Shaw painted landscapes in watercolor based on observations of various locales along the Eastern Seaboard. Shaw was a generation older than Thomas Cole and other artists of the country’s first school of landscape painting, the Hudson River School, which emerged in the second quarter of the 19th century.
- Medium
- Oil on canvas
- Original size
- 54.5 × 78.7 cm (21 1/2 × 31 in.)
Museum record · 1 owner
Provenance
- Estate of Ms. Betty Washington Whiting, Baltimore, MD, until 2003; with Christie's New York, March 30-31, 2004, lot 34; private collection; with Menconi & Schoelkopf FIne Art, New York, 2004; sold to the Art Institute of Chicago, 2004.
