Study of Rocks in Pearson's Ravine
Asher B. Durand (American, 1796–1886)
mid–1850s
View the original$19
Type
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
Asher B. Durand was a prominent figure of the Hudson River School who contributed to the rise of American landscape painting in the 1840s and 1850s. His Study of Rocks in Pearson’s Ravine depicts a fragment of forested terrain in the Delaware River Valley in New Jersey. The composition is an example of Durand’s intense investigation of nature, executed outdoors and with a high degree of finish and detail. The artist meticulously rendered the moss-covered stone, flowering groundcover, and botanical variety. Such small-scale canvases represent some of the earliest exhibited plein air (outdoor) painting in the United States.
- Medium
- Oil on canvas
- Original size
- 61 × 45.7 cm (24 × 18 in.)
Museum record · 1 owner
Provenance
- William T. Wiant Jr., Venice, FL, to 2002; by descent to his niece Chloe Wiant and nephew Cory Wiant; sold, Barridoff Galleries, South Portland, ME, August 8, 2003, lot 58, as "Rocks in Pearson’s Ravine," to Marshall Field; given to the Art Institute of Chicago, 2018.
