The Last of New England—The Beginning of New Mexico
Marsden Hartley (American, 1877–1943)
1918–19
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
In this painting, Marsden Hartley depicted an imagined scene in which the fallen trees of a New England forest in the foreground transition to the golden hills of New Mexico beyond. Weary of the East Coast, the artist spent 18 months in the Southwest in 1918–19, believing that he could find rejuvenation in nature. Here, thick black lines define the Southwestern landscape, which he saw as alive with expressive potential. He wrote to Alfred Stieglitz, “I like the country very well, for it is big and clean and true, and there is nothing dirty standing between one and the sunlight, as there is in the east.” Like many artists who lived in New England at this time, he pictured the Southwest as uninhabited and unspoiled, overlooking the centuries of civilizations in the region.
- Artist
- Marsden Hartley
- Date
- 1918–19
- Medium
- Oil on paperboard
- Origin
- United States
- Style
- Modernism
- Collection
- Arts of the Americas
- Reference
- 1949.546 · Art Institute of Chicago