Looking upon the River
Julie Hart Beers (American, 1834–1913)
1880
View the original$29
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
In this scenic composition, Julie Hart Beers contrasted the lush vegetation of a forest in the foreground with the luminous view of a waterway and mountains beyond. She employed swift brushwork to describe the setting, including flourishes to suggest two or three figures alongside a boat at center.
Beers built a successful professional career in landscape painting beginning in the 1860s, seizing opportunities available to her—because her brothers were also painters—for training and studio space. She also connected with other female artists in New York City. In addition to income from the sale of her works, Beers supported herself and her family by teaching as well as leading sketching excursions for groups of women throughout New England and the Adirondack Mountains.
- Medium
- Oil on canvas
- Original size
- 51.3 × 35.9 cm (20 3/16 × 14 1/8 in.)
Museum record · 1 owner
Provenance
- Private collection, New York; sold to Cooley Gallery, Old Lyme, CT, by 2003; sold to Dr. Douglas S. Holsclaw, Bala Cynwyd, PA, 2003; consigned to Hawthorne Fine Art, New York, 2021; sold to the Art Institute of Chicago, 2022.
