Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
c. 1560
View the original$24
Type
Size
Secure checkout · powered by Stripe
Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
Francesco de’ Medici was the oldest son of Florentine duke Cosimo I de’ Medici and Eleanora di Toledo, great patrons of the arts who instilled the same appreciation in their children. Francesco is shown here displaying a cameo of an unidentified female figure, highlighting his interest in collecting. One of his creations as a patron was the so-called Studiolo in the Palazzo Vecchio in Florence, a space dedicated to the appreciation of refined, intricate works of art and scientific curiosities. Francesco succeeded his father as Grand Duke of Tuscany only grudgingly, preferring a life of scholarship to statecraft.
- Artist
- Alessandro Allori
- Date
- c. 1560
- Medium
- Oil on panel
- Origin
- Italy
- Style
- 16th Century
- Collection
- Painting and Sculpture of Europe
- Reference
- 1965.1179 · Art Institute of Chicago