Coming Squall (Nahant Beach with a Summer Shower)
Thomas Doughty American, 1793–1856
1835
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Size
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
As the first American artist to identify himself as a landscape painter, Thomas Doughty was instrumental in pushing the genre beyond mere topographical description to explore the larger idea of nature itself. Produced at the height of his career, this view of the sea at Nahant, Massachusetts, recalls 17th-century Dutch landscapes in the way that it captures changing atmospheric conditions and their effect on the surroundings without any hint of a narrative. Such paintings made Doughty one of the most popular landscapists in the United States in the 1820s and 1830s. In elevating nature as a worthy subject in its own right, Doughty, like fellow artist Thomas Cole, was particularly influential for the generation of landscape painters who came after him, namely the Hudson River School.
- Artist
- Thomas Doughty
- Date
- 1835
- Medium
- Oil on canvas mounted on cradled panel
- Origin
- United States
- Collection
- Arts of the Americas
- Reference
- 2005.159 · Art Institute of Chicago