Dutch Art Prints
42 museum-quality Dutch art prints — made-to-order giclée reproductions of works from Netherlands, printed on archival paper and shipped to your wall.
The Music Lesson
Gerard ter Borch the Younger (Dutch, 1617-1681)
Portrait of a Man with a Pink
Quentin Massys (Netherlandish, 1466-1530)
Judith
Jan Sanders van Hemessen (Netherlandish, active c. 1519–1556)
Wooded Landscape with Cottage and Horseman
Meindert Hobbema (Dutch, 1638–1709)
Abigail
Maarten van Heemskerck (Netherlandish, 1498-1574)
The Poet's Garden
Vincent van Gogh (Dutch, 1853–1890)
The Judgement of Zaleucus
Otto van Veen (Flemish, 1556–1629)
Fishing Boats in a Calm
Jan van de Cappelle (Dutch, 1626–1679)
Christ Washing the Disciples' Feet
Attributed to Jan Lievens (Dutch, 1607–1674)
Adoration of the Magi
Jan van Scorel (Netherlandish, 1495-1562)
Fragment from Christ Carrying the Cross: Saint John the Evangelist
Jean Hey (Master of Moulins; Netherlandish, active in France, c. 1480-c.1504)
View of IJsselmonde Seen Across the New Maas
Aelbert Cuyp (Dutch, 1620-1691)
Madame Roulin Rocking the Cradle (La berceuse)
Vincent van Gogh (Dutch, 1853–1890)
A Peasant Woman Digging in Front of Her Cottage
Vincent van Gogh (Dutch, 1853–1890)
The Denial of Saint Peter
Hendrick ter Brugghen (Dutch, 1588-1629)
Tetards (Pollards)
Vincent van Gogh (Dutch, 1853-1890)
Nymphs Bathing
Attributed to Dirck van der Lisse (Dutch, active 1639–1669), After Cornelis Poelenburgh (Dutch, c. 1585–1667)
Weeping Tree
Vincent van Gogh (Dutch, 1853-1890)
Trompe-l'Oeil Still Life with a Flower Garland and a Curtain
Adriaen van der Spelt (Dutch, 1630–1673), Frans van Mieris (Dutch, 1635–1681)
The Drinkers
Vincent van Gogh (Dutch, 1853–1890)
A Lady Reading (Saint Mary Magdalene)
Master of the Female Half-Lengths (Netherlandish, active about 1520–1540)
Portrait of Don Juan of Austria
Alonso Sánchez Coello (Spanish, 1531/32–1588)
Self-Portrait
Vincent van Gogh (Dutch, 1853–1890)
Cypresses
Vincent van Gogh (Dutch, 1853-1890)
Landscape with Waterfalls and Bridges, Peasants in the Foreground
Nicolaes Berchem, the Elder (Dutch, 1621/22-1683)
The Battle between the Gods and the Giants
Joachim Antonisz. Wtewael (Dutch, c. 1566–1638)
Portrait of a Young Woman
Aert de Gelder (Dutch, 1645–1727)
Mater Dolorosa (Sorrowing Virgin)
Workshop of Dieric Bouts (Netherlandish, 1415–1475)
The Adoration of the Magi
Workshop of Cornelis Engebrechtsz. (Netherlandish, 1463-1527)
The City Walls of Utrecht by the "Plompetoren"
Paulus van Liender (Dutch, 1731-1797)
Farm near Duivendrecht
Piet Mondrian (Dutch, 1872–1944)
Landscape with the Sacrifice of Isaac within a Decorative Border of Plants and Animals
Hans Bol (Netherlandish, 1534-1593)
View of Tivoli with the Bridge Over the Anio Waterfall
Cornelis van Poelenburgh (Dutch, 1594/95-1667)
Winter Landscape with a Man Crossing
Anthonie Waterloo (Dutch, c. 1610-1690)
Landscape with Elegant Figures by a River, with Boats to the Right and a Town Behind Trees Beyond
Allart van Everdingen (Dutch, 1621-1675)
Avenue of Pollard Birches and Poplars
Vincent van Gogh (Dutch, 1853–1890)
Saint Willibrord
Abraham Bloemaert (Dutch, 1566-1651)
Pastoral Scene with a Shepherdess Milking a Goat
Nicolaes Pietersz. Berchem (Dutch, 1621/22-1683)
Saint Jerome in Penitence
Master of the Lille Adoration (Netherlandish, active about 1520–40)
River Landscape with a View of Naarden
Salomon van Ruysdael (Dutch, about 1602–1670)
A Soldier Loading a Musket, "Ramme in Your Pouder"
Jacques de Gheyn II (Dutch 1565-1629)
Bouquet of Flowers and Fruit with Blue Ribbon
Maria van Oosterwijck (Dutch, 1630–1693)
About dutch art prints
The Dutch Republic of the seventeenth century produced painting on an unprecedented scale, made for the open market rather than church or court. Painters specialized narrowly: Gerard ter Borch (1617–1681) perfected the quiet domestic interior, rendering the sheen of satin with a fidelity that became his signature; Meindert Hobbema (1638–1709), the pupil of Jacob van Ruisdael, painted sunlit woodland scenes and returned to the watermill motif more than thirty times — a subject his contemporaries could read as an emblem of human transience and Dutch industriousness.
After the Golden Age’s market collapsed in the late seventeenth century, Dutch painting’s next moment of world importance came two hundred years later with Vincent van Gogh (1853–1890), who began among the dark peasant subjects of his native Brabant before the move to Paris and then Arles transformed his palette. The collection spans both poles of this tradition.