Landscape with the Sacrifice of Isaac within a Decorative Border of Plants and Animals
Hans Bol (Netherlandish, 1534-1593)
1584
View the original$17
Type
Size · in
Secure checkout · powered by Stripe
Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
Details
- Medium
- Pen and brown ink and brown and gray washes on ivory laid paper, incised with a stylus for transfer
- Original size
- 14.5 × 21.2 cm (5 3/4 × 8 3/8 in.)
Museum record · 4 owners · 3 exhibitions
Provenance
- Galerie R. G. Michel, Paris, by 1973.
- Mathias Komor to Robert M. Light, Boston and Santa Barbara, Calif.; to Otto Nauman, Ltd., New York; sold to Christopher Rupp, New York.
- Sold, Sotheby’s, New York, Jan. 23, 2001, lot 108.
- Sold by Kate de Rothschild, London, to the Art Institute of Chicago, 2001.
Exhibitions
- Paris, Galerie R. G. Michel, Dessins Anciens et Modernes, Dec. 1973.
- London, Kate de Rothschild Fine Art, Master Drawings, July 8–13, 2001.
- The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, 201-2, 290, 329, cat. by Victoria Sancho Lobis, et. al.
