

Portrait of Fridrich Rorbach
Conrad Faber von Creuznach (German, c. 1500–by 1553)
1532
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Size
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front.
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A flat 20% margin — just enough to keep the store running. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
This portrait would have served as a document of a marriage. Friedrich Rorbach’s name, age, and coat of arms, along with the date, are painted on the back of the panel, which was originally paired with a portrait of his wife, Katherina Knoblauchin, now in the National Gallery of Ireland. The two portraits share the same background— a fanciful mountain landscape. Conrad Faber, who worked in Frankfurt-am-Main, specialized in portraits depicting the patrician elite of that prosperous city. In the early 16th century, the energy and self-confidence of the many courts and free cities loosely united in the Holy Roman Empire brought about an artistic flowering in Germany.
- Artist
- Conrad Faber von Creuznach (German, c. 1500–by 1553)
- Date
- 1532
- Medium
- Oil on panel
- Origin
- Germany
- Style
- sixteenth century
- Collection
- Painting and Sculpture of Europe
- Reference
- 1935.296 · Art Institute of Chicago