Mahana no atua (Day of the God)
Paul Gauguin (French, 1848–1903)
1894
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
In this tropical paradise of the artist’s invention, a deity presides over figures walking and resting on an embankment. Rhythmically arranged in groups of two and three, the figures appear more as symbolic forms than as portraits of individuals. Pools of water in interlocking, abstract zones of acidic color surround the feet of a bather, who is flanked by two prone figures—or perhaps the same person seen from two angles.
Unlike his other Tahitian-inspired landscapes, this painting was produced in Paris shortly after Paul Gauguin’s first trip to the island. Drawn from fantasy and memory, the psychedelic composition is one of the most abstract and avant-garde works of the artist’s career.
- Artist
- Paul Gauguin
- Date
- 1894
- Medium
- Oil on linen canvas
- Origin
- France
- Style
- Post-Impressionism
- Collection
- Painting and Sculpture of Europe
- Reference
- 1926.198 · Art Institute of Chicago