Landscape No. 3, Cash Entry Mines, New Mexico
Marsden Hartley (American, 1877–1943)1920
View the original$24
Type
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
In Landscape No. 3, Cash Entry Mines, New Mexico, Marsden Hartley used short brushstrokes, patches of pigment, and abstracted cloud forms to portray soaring mountains under a vibrant sky, intentionally minimizing the industrial mines that are the subject of this composition. The artist had spent eighteen months in New Mexico from 1918 until he returned to New York in 1919, but he continued to paint the Southwest from memory for several years, increasingly exaggerating the dramatic terrain and brilliant hues as time passed. For Hartley, as for so many artists who visited the Southwest, the remembered landscape became a vehicle for modernist exploration of color and shape.
- Medium
- Oil on canvas
- Original size
- 70.6 × 90.8 cm (27 3/4 × 35 3/4 in.)
Museum record · 1 owner · 4 exhibitions
Provenance
- Alfred Stieglitz Collection, New York; bequeathed through Georgia O'Keeffe to the Art Institute of Chicago, 1949.
Exhibitions
- New York City, Museum of Modern Art, “Lyonel Feninger, Marsden Hartley,” 1944.
- New York City, Museum of Modern Art, “Alfred Stiegliz: His Collection,” June 10– Aug. 31, 1947, no cat. New York City, Whitney Museum of Art, “Marsden Hartley,” Mar. 4–May 25, 1980; Art Institute of Chicago, June 10–Aug. 3, 1980, Fort Worth, Amon Carter Museum of Western Art, Sept. 5–Oct. 26, 1980, Berkeley, University of California Art Museum, Nov. 12, 1980–Jan. 4, 1981.
- Santa Fe, Georgia O'Keeffe Museum, The Search for an American Modernism: Marsden Hartley and New Mexico, Jan. 25–May 11, 2008.
- Brooklyn Museum of Art, Youth and Beauty: Art of the American Twenties, Oct. 28, 2011–Jan. 22, 2012; Dallas Museum of Art, Feb. 24–May 27, 2012; Cleveland Museum of Art, July 1–Sept. 16, 2012.


