Auvers, Panoramic View
Paul Cezanne (French, 1839–1906)1873–75
View the original$18
Type
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
Paul Cezanne made this work during his first prolonged stay at Auvers, where he was mentored by Impressionist painter Camille Pissarro. Cezanne rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—using blocky, energetic patches of color and areas of ragged brushwork that seem unfinished, especially at the lower left and center. These choices, which were radical at the time, mark his attempt to communicate not merely the landscape’s appearance but also the feeling of seeing it and painting it.
- Medium
- Oil on canvas
- Original size
- 65.2 × 81.3 cm (25 5/8 × 32 in.)
Museum record · 8 owners · 19 exhibitions
Provenance
- Dr. Paul Gachet, Auvers-sur-Oise (died 1909), c. 1873/74 to 1909; sold by Paul Gachet fils before 1912.
- Ambroise Vollard, Paris.
- Manzi, Joyant et Cie, Paris by 1912.
- Possibly Georges Viau, Paris.
- Alfred Strolin, Paris; his sale, Paris, Hôtel Drouot, July 7, 1921, lot 7, as Auvers-sur-Oise Vue panoramique du village, sold for 65,500 francs.
- Hector Brame, Paris.
- Durand-Ruel, Paris and New York.
- Annie S. Coburn (died 1932), Chicago by 1932; bequeathed to the Art Institute, 1932.
Exhibitions
- Paris, Manzi, Joyant & Cie, Exposition d’art moderne, 1912, as Auvers-sur-Oise (Vue panormaique).
- The Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, April 6 – October 9, 1932, as Auvers-sur-Oise, Village Panorama, 1873.
- The Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, 1933, as Auvers-sur-Oise, Village Panorama, 1873.
- Philadelphia, Pennsylvania Museum of Art, Exhibition of the Works of Cézanne, November 10 – December 10, 1932, as Auvers-sur-Oise, Village Panorama, 1873.
- The Art Institute of Chicago, Cézanne, Paintings, Watercolors and Drawings: A Loan Exhibition, February – March 1952, traveled to New York, Metropolitan Museum of Art, April – May 1952, as Auvers: Village Panorama, 1873-75.
- Paris, Orangerie des Tuileries, Van Gogh et Les Peinters d’Auvers sur Oise, November 24, 1954 – February 28, 1955, as Vue d’Auvers, 1873-74.
- Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28-September 16, 1984, traveled to The Art Institute of Chicago, October 23, 1984-January 6, 1985 and Paris, Galeries nationales du Grand Palais, February 8-April 22, 1985, as Auvers, Panoramic View (Auvers, Vue panoramique), 1873-75.
- Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces From The Art Institute of Chicago, October 18 – December 17, 1985, traveled to Fukoka Art Museum, January 5 – February 2, 1986 and Kyoto Municipal Museum of Art, March 4 – April 13, 1986, as Auvers: Panoramic View, 1873-75.
- Paris, Galeries nationales du Grand Palais, Cézanne, September 25, 1995-January 7, 1996; London, Tate Gallery, February 8-April 28, 1996; Philadelphia Museum of Art, May 26-August 18, 1996.
- Glasgow, Mclellan Galleries, The Birth of Impressionism, May 23 – September 7, 1997, no cat. no., as Auvers: Village Panorama, c. 1873.
- Sydney Art Gallery of New South Whales, Australia, The Classic Cezanne, November 28, 1997 – February 28, 1999, Panoramic view of Auvers/Vue panoramique d’Auvers-sur-Oise, c. 1873-74.
- New York, The Metropolitan Museum of Art, Cézanne to Van Gogh: The Collection of Dr. Gachet, May – August 1999, traveled to Amsterdam, The Van Gogh Museum, September – December 1999, cat. P.G. II-4, as Panorama (Auvers), 1873.
- Newcastle-upon-Tyne, Laing Art Gallery, Exchange loan for Van Gogh/ Gauguin: The Studio of the South, August 15, 2001-June 2, 2002.
- New York, Pioneering Modern Painting: Cézanne & Pissarro 1865-1885, June 26 – September 12, 2005, traveled to Los Angeles County Museum of Art, October 20, 2005 – January 2006 and Paris, Musée d’Orsay, February 27 – May 28, 2006, Auvers-sur-Oise, Panoramic View (Vue panoramique d’Auvers-sur-Oise), c. 1875-76.
- Madrid, Museo Thyssen-Bornemisza, Van Gogh in Auvers, June 12–September 16, 2007.
- Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008.
- Paris, Musée Luxembourg, Cezanne et Paris, October 10, 2011-February 27, 2012.
- Treviso, Museo di Santa Caterina, Storie dell'Impressionismo, October 29, 2016-April 17, 2017.
- Art Institute of Chicago, Cezanne, May 15-Se, 2022; London, Tate, Oct. 5, 2022-Mar. 12, 2023.
