In the Sea
Arnold Böcklin (Swiss, 1827–1901)
1883
View the original$24
Type
Size · in
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Materials & printing
Archival matte paper, 189 g/m² (10.3 mil), sourced from Japan, printed with multicolor water-based inkjet so every brushstroke stays crisp. Framed prints arrive ready to hang in a .75″ ayous-wood frame with an acrylite front. Sized to standard frames by cropping, never stretching — at most about 3% comes off one edge, which isn’t noticeable on most pieces, and we only offer a size when it stays that small.
Shipping & returns
Made to order and delivered in 5–8 business days (2–4 to print, 3–4 in transit). US shipping only for now. Because each print is made for your order, all sales are final — but if it arrives damaged or defective, send us a photo within 14 days and we’ll replace it free. Full policy.
Why is it this affordable?
A thin, flat margin on every piece — just enough to keep the store running. Most of what you pay is the print itself. We only sell sizes that reproduce at full quality, and we don’t mark up the large sizes the way most shops do.
About this work
Arnold Böcklin’s art had little in common with Impressionism or the academic art of his time. Instead, his depictions of demigods in naturalistic settings interpret themes from Classical mythology in an idiosyncratic, often sensual manner. In the Sea, part of a series of paintings of mythological subjects, displays an unsettling, earthy realism. Mermaids and tritons frolic in the water with a lusty energy and abandon verging on coarseness. Occupying the center of the composition is a harpplaying triton. Three mermaids have attached themselves to his huge frame as if it were a raft; the one near his shoulder seems to thrust herself upon him. The work’s sense of boisterousness is tempered by the ominously shaped reflection of the triton and mermaids in the sea and by the oddness of the large-eared heads that emerge from the water at the right. In addition to imaginative, bizarre interpretations of the Classical world, Böcklin painted mysterious landscapes punctuated by an occasional lone figure. These haunting later works made him an important contributor to the international Symbolist movement. They also appealed to some Surrealist artists, particularly Giorgio de Chirico, who declared, “Each of [Böcklin’s] works is a shock.”
This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
- Medium
- Oil on panel
- Original size
- 86.5 × 115 cm (34 3/8 × 45 3/4 in.)
Museum record · 3 owners · 10 exhibitions
Provenance
- Kunsthandlung Fritz Gurlitt, 1884.
- Adalbert Mylius-Gemuseus, Basel, Switzerland, 1886 to at least 1927; by descent to Herr Simon-Mylius, Basel.
- Albert Vorster-Burckhardt, Basel from 1950, offered for sale, Sotheby's, New York, May 23, 1990, lot 127; bought in; sold by Vorster-Burckhardt through Sotheby's to the Art Institute, 1990.
Exhibitions
- Berlin, Kunsthandlung Fritz Gurlitt, 1884.
- Basel, Kunsthalle, Basel Kunstverein, Katalog der Böcklin-Jubiläums-Ausstellung in der Kunsthalle zu Basel, 1897.
- Basel, Kunsthalle, Arnold Böcklin (1827-1927): Austellung zur Feier des 100.
- Geburtsjahres, 1927.
- Basel, Kunsthalle, Arnold Böcklin: Ausstellung zum Gedächtinis an seinen 50.
- Todestag, 1951.
- Basel, Kunstmuseum, Arnold Böcklin 1827-1901: Gemälde, Zeichnungen, Plastiken-Ausstellung zum 150.
- Geburtstag, 1977.
- Frankfurt, Schirn Kunsthalle Frankfurt, Comic Grotesque: Wit and Mockery in German Art, 1870–1940, March 28–June 8, 2003.
- Art Institute of Chicago, Becoming Edvard Munch: Influence, Anxiety, and Myth, February 14–April 26, 2009.


